Amazing Forester Woodpecker Photo Awarded in World’s Most Prestigious Nature Photography Competition – The First News

ByDavid M. Conte

Nov 3, 2021

The winning image shows a green woodpecker with its colorful plumage against the dark background of a hollow oak tree, craning its head upward in search of ants.
Łukasz Gwizdźiel

A forester turned wildlife photographer won a “highly recommended” award in the world’s most prestigious nature photography competition for his striking shot of a green woodpecker feeding in the hollow of an oak tree.

Łukasz Gwizdźiel from Debrzno, northern Poland, received the award for the 57th Wildlife Photographer of the Year competition in the category: “Behavior: Birds”, one of five awarded in the category.

The ‘highly recommended’ image is one of a total of 100 images selected as the world’s best depictions of nature from the 50,000 entries received this year from 95 countries, and is now on display at the Laureates’ Exhibition at the Natural History Museum from London.Łukasz Gwizdźiel

The ‘highly recommended’ image is one of a total of 100 images selected as the world’s best depictions of nature from the 50,000 entries received this year from 95 countries, and is now on display at the Laureates’ Exhibition at the Natural History Museum from London.

Gwizdźiel told TFN: “It’s a huge accolade to be recognized as one of the best photographs in the Wildlife Photographer of the Year competition, which looks like the Oscars of Nature Photography, it really is a dream come true.

“I couldn’t believe it when I first received the email in the spring that I had been selected and had to keep it secret until the official announcement of the results in October.

Gwizdźiel told TFN: “It’s a huge accolade to be recognized as one of the best photographs in the Wildlife Photographer of the Year competition, which looks like the Oscars of Nature Photography, it really is a dream come true. “Łukasz Gwizdźiel

“I went to London to see it on display and it was really amazing to see it there among so many amazing photographs.”

“The most important thing is that the nature in my photo has been recognized. At the moment this is a common species, not endangered like some of the other award-winning photographs, but despite this, we don’t know if the popular species today will still be available to our children at see in the wild. “

The remarkable image, which shows a green woodpecker with its colorful plumage, against the dark background of an oak hollow, lifting its head upward in search of ants, was actually not the subject Gwizdźiel had anticipated. to capture.

Łukasz Gwizdźiel

The award-winning Polish forest wildlife photographer’s magical and breathtaking images have dazzled viewers and competition juries alike since he started nature photography 10 years ago, first taking photos on the way to the work and weekends.Łukasz Gwizdźiel

He said: “I had planned to take pictures of a mouse burrow, there were a lot of mice scurrying around and I had set up my equipment to get pictures of them, when suddenly a green woodpecker appeared. It was very special.

“I took a series of photos, then picked the one I thought was the best and decided to try sending it to the Wildlife Photographer of the Year.”

“I first started submitting photos to small regional photo contests, then to slightly bigger contests, then national contests and when I realized that people in Poland liked them and that I was receiving prizes, I thought why not try the international competitions.

Among his many accolades are the Photographer of the Year Award 2020 awarded by the Toruń District Group of the Association of Polish Nature Photographers for his photo of two cranes and the second prize in the Wildlife category of the 5th 35Awards international photography competition for a series entitled “A morning with cranes”.Łukasz Gwizdźiel

“I think the image captures the essence of wildlife photography, that you can have a lot of things planned, but ultimately wildlife is unpredictable and sometimes the best photos are the ones that can’t be planned.”

The award-winning Polish forest wildlife photographer’s magical and breathtaking images have dazzled viewers and competition juries alike since he started nature photography 10 years ago, first taking photos on the way to the work and weekends.

His many accolades include a Photographer of the Year Award 2020 by the Toruń District Group of the Association of Polish Nature Photographers for his photo of two cranes and the second prize in the Wildlife category of the 5e 35Awards International photography competition for a series entitled ‘A morning with cranes’.

Gwizdźiel’s photos are all captured on his doorstep, in parts of forests within a mile of his home, some of which were discovered thanks to the ability to take more walks during the pandemic.Łukasz Gwizdźiel

Cranes are a particular favorite subject for Gwizdźiel and a species he enjoys spending a little more time catching.

He told TFN: “There is a lake nearby where I observe cranes and love to photograph them, especially trying to get images of them at the edge of light and dark.

Although his photoshoots are now generally more carefully planned than they started out, Gwizdźiel’s photos are all taken on his doorstep, in parts of forests within a mile of his house, some of which were discovered thanks to his ability to take more walks. around his home during the pandemic.

Gwizdźiel said: “I started submitting photos to small regional photo contests first, then slightly bigger photo contests, then national photo contests and when I realized that people in Poland liked them and I received awards, I thought why not try the international competitions. “Łukasz Gwizdźiel

He said: “When remote working was introduced and I spent more time at home, I also had the opportunity to take more walks in my place of residence and explore it more closely. . The pic of the woodpecker was taken in a forest that I can see from my window for example.

“I’m not sure I would have necessarily discovered this exact location without the pandemic. “

Gwizdźiel said his example shows that “a good photo can be found even just around the corner” of where people live and that inspiration for nature photographs doesn’t have to be found in places distant.


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